Within my current practice I am exploring the digital and physical image through material, surface and space. I am interested in notions of the technological sublime, ideas of presence and absence, and in limits of visual perception.
By circulating image-data through an iterative process I want to unfold the language of technical images. I am exploring the use of digital print, 3D scanning and similar technologies to break up and hold back an image, to elicit a sense of a slowing down of perception and disturbing the stability of surface and time. I take photographic representations of landscape as a starting point and disrupt the dissemination of data, transforming three-dimensional space into digital information that is subsequently reproduced on surfaces and in space.
Through this I aim to consider how the digital and physical image can create an arena in which we can disentangle and threaten the visual stability of perception in the digital age.